A fast normal prime at a wide aperture is the fashion editorial default, prized for compression and the shallow depth of field it isolates a subject with.
Canon RF 50mm f/1.2L
The editorial standard — strong background separation and flattering compression for a single subject, built for no-compromise professional work.
Best for: Editorial portraits
Sony FE 24-70mm f/2.8 GM II
The versatile option for studio and location work that needs to move between wide and tight framing quickly.
Best for: Studio and location versatility
Sony FE 70-200mm f/2.8 GM OSS II
Compresses backgrounds and gives working distance for runway or set shots where you can't get close.
Best for: Runway, distant set shots
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